Thursday, February 14, 2013

Beg Borrow and Steal to Rock


Crossing the long legs of his lanky frame, the music mogul looked casually at the two young men staring at him in rapt attention. He leisurely adjusted his nine-hundred dollar glasses frames, and phlegmatically cleared his throat.  With purposeful lethargy, he reached for his iPad and scrolled the screen with his fingers. Turning his head ever so slightly, he observed his Starbucks Latte, extra foam, two Splendas.  With delicate precision, he stretched for it, careful to maintain his serene pose while balancing his tabular computer. With two conspicuous slurps of his coffee, he addressed the young men.
           
“Well,” he drawled, careful not to hold either man’s eyes for more than a moment, “It seems that the synths aren’t quite right. Let me ask before I get too far into this: Is this song supposed to be top 40?”

The two men looked nervously glanced at one another, and laughed wryly.
           
“Yea, that was the plan…You know, sorta like Ke$ha or Rihanna or something,” Anthony answered, his brother Wellington nodding next to him.

“Mm,” slurped the mogul, adjusting his iPad to better view the screen. Out of the corner of his eye, he noticed his emaciated assistant slip silently through the door.
           
“Jim,” he called syruply, “I think there’s sugar in this coffee. Would you go back to the ‘Bucks and get me one with Splenda? Thanks man.”

As Jim scurried out, the mogul swiveled back to the boys, careful to move with diligent slowness.  The two boys leaned eagerly forward on the brown leather couch.
           
“Guys, I think your both talented and its awesome that your going for it,” the mogul breezed unconvincingly.

“ You remind me of me and Alex when we were getting started.”
The mogul never lost and opportunity to talk about the success he and his writing partner had had over the years.

“We came to the city during the 80s, right when the drum machine was getting big,” he mused thoughtfully.

“I remember we wrote this killer tune back then, oh man it was hot….it started sorta like DO-DOKAH-DO-DO-DOKAH!” The mogul sung with clear nasal precision.

“We didn’t know it at the time, but we basically created the New Jack Swing sound,” the mogul shrugged indifferently.

The assistant noiseless entered the room with a new latte, generating an unctuous “Thanks Man” from the mogul.
“Honestly though, the days of creating new material are over,” the mogul continued after a moment of scrolling his iPad and blowing over his hot coffee.

“You’re not gonna find stuff that’s overly...deviant, if you know what I mean. 
           
Anthony and Wellington didn’t have the slightest clue what the mogul was saying, but nodded vigorously anyway.  Anthony had set up this meeting. He had interned for the mogul’s production company in his senior year of college and had become enchanted by the behind-the-scenes view of the pop music creative process.  After graduation, he and his older brother Wellington, who was also a musician, had begun writing pop music of their own, and were looking for writing tips…or maybe even a record deal, if the mogul liked their stuff well enough.  Still, they were realists and had come in with low expectations.  What they were hearing, however, was not remotely what they had expected.

“Take or example that hit Alex and I wrote for Rixi Stephens,” the mogul yawned.

“Do you know how we got that? No, of course you don’t. Well, we basically listened to everything out on the radio and copied what we heard. I would say that we reinterpreted existing music, but that would be giving us to much credit.”
           
After a pregnant pause in which the mogul seemed glued to the screen on his lap, Wellington erupted.

“You mean you STEAL your material from other people?!”

“Yes,” the mogul answered laconically, openly laughing at the discomfort on the men’s faces.
           
“Good musicians borrow, great musicians steal, haven’t you heard that before?”

The brothers stared vacantly.
           
“Listen fellas, the synth in your tune is off, the vocals aren’t compressed or auto-tuned, your side-chain bass is all wrong, and your lyrics are too coherent. And I got all that after 30 seconds of listening to your shit,” the breathed, rattling off his points between sips of his Latte.

Silence descended upon the room, save for the mogul’s occasional tap of the iPad.
           
“Will there be anything else?” the mogul closed, not bothering to untether his gaze from the electronic device on his lap

Anthony and Wellington both stood up awkwardly, as Jim ushered them hurriedly out of the room.
           
“How’d it go,” Jim asked, his gaunt features twisted in concentrated interest.
           
“Well,” Anthony sighed, “I’m not sure.”

Wellington remained silent for a minute and shook his head.
           
“I think…I think he said we have a hit,” he gushed, his face turned toward the open door of the mogul’s studio.

He felt both vague disgust, and reverent awe.

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